And That Was April, Twenty Twenty Four
Only three books read in April:
Only three books read in April:
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May was the Getting Stuff Done month, reading-wise. Instead of floating like a butterfly from book to book to book, I stayed with the ones piled up on the coffee table. However, my book buying tendencies ran amok. Amok af. I know the reason: Bookstore anxiety. I fear that if I don't buy something when I go into a bookstore, it will fail.
Seven books read this month. 6 out of the 7 were library books.
Books bought -- I'd tell you the number, except that I don't know the number. Somewhere between amok and infinity. The corner curio cabinet in the living room had to be repurposed as a bookshelf. I like it better this way. The knickknacks that were there before never looked quite right, although the cat found them attractive. She now probably thinks that I'm tearing her playhouse down room by room.
Here are my books read for May:
1. The Farewell Tour - Stephanie Clifford. Novel. In 1980, Lillian Waters, or "Water Lil", as she is known, is a 58-year-old country music singer trying to make a last comeback after a diagnosis of polyps on her vocal chords. As she travels across the country, her life story is told in alternating chapters. There's also a mystery surrounding her early years in Washington State and an abusive but shadowy older sister. Good details about country music throughout the book. Good storytelling.
2. Madly, Deeply - Alan Rickman. Diaries. In spite of the footnotes, I didn't always know what or who Rickman was talking about, but I still enjoyed his musings. My favorite thing was his incisiveness about why a movie worked or didn't work.
3. Abridged Classics - John Atkinson. Humor. So much fun. Classic novels distilled down to a few words. Favorite examples:
War and Peace/Everyone is sad/It snows.
Moby-Dick/Man vs. whale/ Whale wins.
Robinson Crusoe/Old-timey Gilligan's Island.
Mysteries of Udolpho/Gothic Scooby-Doo.
The Canterbury Tales/ Medieval version of "99 Bottles of Beer" with sex and poop jokes.
Ethan Frome/Farmer's life can't possibly get any worse./Hey, a sled!
Jane Eyre/Workplace romance gets fiery.
Charlotte's Web/Clever web designer saves a pig.
4. How to Keep House While Drowning - KC Davis, LPC. Self-Help. (Funny aside: I was initially interested in this book because I thought it was a novel with one of those quirky and evocative titles.) KC Davis conceived this book a couple of years ago. She gave birth during the pandemic, and the support systems she'd set up for herself suddenly vanished. Did I mention she also had a toddler? She was in survival mode, and this book is for people who are in that mode whether it's from new parenthood, isolation, depression or they just don't know how to keep house. I appreciate her assertion that rest is important, there's no such thing as laziness, care tasks are morally neutral, and my favorite maxim of hers: "Anything that's worth doing is worth doing half-assed." The 5 things tidying method is the perfect hack for making sense out of chaotic surroundings. Another valuable tip is to try to do things for your future self. Life can get overwhelming, so I'm glad I read this one.
5. Writers & Lovers - Lily King. Novel. I read Euphoria a few years ago and absolutely loved it, so when this book came out, I was wary about reading it, fearing disappointment. I shouldn't have worried! Now I want to reread Euphoria and then go romp around in Lily King's backlist.
6. Forget the Alamo - Bryan Burrough, Chris Tomlinson, and Jason Stanford. Nonfiction. Although the seemingly flippant title might be off-putting to many, this book is thoughtful and well-researched as it examines the origins of the Alamo and how the defenders grew to nearly mythical status. What were they defending? Were they really heroes? Should the Alamo be a shrine? Is there a richer, more nuanced, and more inclusive story to tell? The authors tackle these questions and bring the reader from those first Southern men who struck out for Texas up to present-day San Antonio. And Phil Collins, too! A captivating read.
7. Tess of the D'Urbervilles - Thomas Hardy. Novel. It took YEARS, but I finally finished this book. Wondering if Hanya Yanagihara read this, studied this as she was writing A Little Life. I suspect she's a bit of a Hardy girl since the main character in A Little Life is called Jude. Anyway. I despised Alec D'Urberville. That was easy; he is a moustache-twirling villain. A slimy bastard. A stock type. But who I really hated was Angel Clare, the "nice guy" Tess falls in love with after her bad encounter with Alec. Also frustrating was Tess's streak of fatalism and her dogged insistence on suffering so that she wouldn't do anything further to inconvenience Angel Clare after her confession of being a "fallen woman" on their wedding night. But yeah, Angel is the real villain of the piece. Tess was well-rid of him and didn't know it; that's the tragedy. When all is read and done, this may turn out to be my year for reading classics, but I'm not sure. It's going to take me a while to recover from this one.
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Pages read: 22
Snacks: Salad (carrots, cucumbers and cherry tomatoes)
Blogs visited: 0
For my second book, I thought I'd try The Vicar of Wakefield by Oliver Goldsmith. I'm 4 chapters in, but don't know if I'll stay with it for this Readathon. I may have to back out of the 18th century if I get too tired.
Thanks to the friends and cheerleaders who have popped in to say hi and give encouragement. I'm going to read for a couple of more hours, then I'll be out there cheering.
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When I went to visit my brother and his family last month, I couldn't help taking a look at their bookcase. Wow, I saw some pretty books there. I know, all books are pretty. But these were stunning; I was salivating. There was a colorful row of about 10 multicolored cloth-bound books with gold lettering on the spines.
My brother saw me peeping. "That's the series I'm reading now. Christmas present from my family."
"What are they?"
"Adventure books!" my nephew said. "You can read them; they're not inappropriate." I had to smile; I knew where that was coming from. I felt like telling him: "Kid, reading inappropriate stuff is the beauty part of being an adult," but his mom is of the helicopter persuasion and there were more important things at hand so I kept my lip buttoned and focused on my introduction to R. M. Ballantyne. How had I missed hearing about this guy? How did he get past my Tough & Cool Inner Bookworm?
Robert Michael Ballantyne (1825-1894)was a 19th century Scottish juvenile author who specialized in adventure. Ballantyne seems to have done his research first-hand, taking journeys to places anywhere "from the Arctic to the South Pacific". His tales stressed "Christian character in the face of adversity." In his day, he was a bestselling author, often churning out 3 books a year. I didn't do an exact count, but he seems to have written more than 50 novels. His first hit, The Coral Island (1857) was read and admired by boys everywhere, especially little Bobby Lou Stevenson, who grew up to write Treasure Island. In a poem that prefaces the story, Stevenson pays tribute to "Ballantyne The Brave".
According to Wikipedia, Ballantyne made a mistake in his first book about the thickness of coconut shells, so after that, he was determined to do scrupulous research on the topics and settings in his novels. For example, he had worked as a young man in "the wilds of Canada", which provided material for several books, he worked with London firemen for Fighting The Flames and tin miners in Cornwall for Deep Down. A fan site, started by a 16-year old Ballantyne enthusiast has a cool world map that has stars on it representing various locales around the globe where 20+ of his novels took place. When you click on a star, a brief summary of each book is displayed.
All of his books apparently feature young men who are tweens or early teens who are facing some kind of life challenge and following the example of role models around them, they learn to keep cool and courageous, never waver in showing gallantry and let God be their compass. The last is one of the reasons Ballantyne fell out of fashion in recent years, and also why he's come roaring back more than a century after his death.
From that first moment at my brother's bookcase, I was intrigued by Ballantyne, but slightly put off by what I assume is heavy religious content. I was picturing Elsie Dinsmore except Elmer Dinsmore. Then, when my brother and I were corresponding about Ballantyne, he sent me a little snippet from the web describing Ballantyne's work that included this caution: Ballantyne describes incidents in a graphic manner. Parents may want to preview. Finding out that this guy in all his piety still had the power to alarm mommies made me determined to be courageous and gallant about the religious didacticism and read him myself. Although I can't get my hands on those gorgeous books, Ballantyne's works are available at Project Gutenberg.
Tuffi is practically in rapture because we'll be adding another 19th-century author to plug up the abysmal gaps in our literary knowledge, I'm pleased because I've discovered (well, my brother has -- a damned unlikely source, too! Who'd have thunk it?) an author that's rather obscure (or is Ballantyne obscure? Is it possible that I'm just late to the party?), and both Tuffi and I are pretty jiggy knowing that we've gained awareness of an important link in juvenile fiction. It's a lot to chew on. Thanks, Bro.
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I haven't read The Professor or Villette yet, so I can't say for sure, but it seems as if with Shirley, Charlotte Bronte was trying something a little more ambitious with what would be her final novel. She's not always successful, but her attempt is interesting.
Bronte's novel is a historical one, set about 30 years earlier, when the Luddite riots were doing a great deal to cause social unrest in England, and Napoleon was stirring things up abroad. Robert Gerard Moore has moved from France back to Yorkshire, where his father was from, determined to remake the family fortune through trade. He is equally determined that it shall be accomplished through the use of new machinery. This decision is unpopular with the working people of the village, who have been thrown out of work by such developments as well as too many bad harvests.
Robert is a strong and outspoken man of many opinions. He's also quite good-looking and young "not yet thirty". Most of the time, thankfully, Bronte's got him speaking in English, so he's both intelligible and intelligent. Think Mr. Rochester, and you'll have a good picture of Robert Gerard Moore. When he's present in the pages of the novel, he makes it all quite interesting. Although he seems hard and uncaring to the workingmen, he's got a sensitive side that he likes to keep on the down-low. Constant threats are being made on his life, so readers worry about him and his safety.
So with such a terrific introductory character, who does Bronte turn to and focus on the most? Caroline Helstone, the niece of the rector, is an orphan of sorts and in love with her cousin by marriage, the abovementioned Robert Moore. He loves her as well, but they're both too well-bred to discuss their feelings. Plus, Robert feels as if love must stay on the back-burner until his financial woes are straightened out.
Anyone with half an eye can see that he's distracted, but Caroline, who's got a terrible case of low self-esteem, tortures herself daily, wondering if Robert loves her or not. Is she going to die an old maid? She won't marry anyone if she can't have Robert. She worries about it for chapters and chapters AND chapters and "her cheek becomes thin and pale".
On some level, Caroline realizes that she's driving herself crazy, and decides that she'd like to go away and become a governess. Her uncle nixes the plan, and about that time, he decides that Caroline can't hang out with the Moores any more because he doesn't like Robert's politics. So Caroline's cheek gets paler and thinner.
About this time, the owner of a neighboring estate comes home to live, and Caroline is summoned by her uncle to go with him and be neighborly. It's 21-year-old Shirley Keeldar, the title character, and she's the antithesis of Caroline: plucky, confident and rich. She's highly intelligent and doesn't really care much for polite society, but can charmingly work with it if she's absolutely forced to. At this time, Shirley was a man's name, (the popularity of this novel caused it to gain favor as a woman's name) and she often has fun with this fact and will cheekily ask the men she's dealing with to refer to her as "Captain Keeldar."
Shirley and Caroline become fast friends, but when Shirley lends Robert a large chunk of money to help him through his financial bind, Caroline bleakly assumes that the two will end up marrying. This causes her cheek, well, you know.
While Shirley is off enjoying herself on holiday, Bronte leaves us with Caroline who falls into bed sick for months, and no one (in the novel) is sure which side of the pearly gates she'll end up on. She would probably perk up if Robert visited her sickbed, but he's off in London, trying to make money. Caroline is forcibly pulled back from death's door by Mrs. Pryor, Shirley's kind ex-governess and now her companion. Mrs. Pryor accomplishes this fact by revealing a deep secret to Caroline. She's still abed for chapters, but it works; she lives to fret on. She revives her governess scheme, but Mrs. Pryor tells her some personal governess-in-hell stories that switch her off the subject for good.
When Shirley returns from holiday, Shirley's uncle is determined to see her married. After all, a woman can't run an estate by herself! He starts running rich suitors by her, and Shirley turns them down one by one, with well-reasoned arguments that have her uncle progressively purple with rage. He's convinced that left to her own devices, she'll become an old maid (which doesn't seem to bother Shirley in the least) or make a mesalliance (she's not thinking of it, but since it bugs her uncle, she devils him with the possibility). Bronte is really funny and sharp in this part of the novel, which is decidedly feminist.
Uncle brings his whole family and moves in with Shirley so he can keep an eye on her till she's safely to the altar, whenever that may be. Along with the family comes Louis Moore, who tutors Shirley's cousin, Henry. Louis is also Robert Moore's brother. The first couple of conversations between Louis and Shirley are a trifle barbed. You know what that means. It means that we're up to page 500-something, and Charlotte Bronte's got to work like the devil to establish why Louis is worthy of Shirley and get the two of them from slinging intellectual insults to falling in love.
Luckily, Shirley is bitten by a possibly mad dog. (She's really a cool customer; she walks herself with her bleeding arm into the laundry where the maids have been ironing, and when no one's looking, picks up a little iron and cauterizes the wound with nary a whimper.) She says nothing to anyone about the incident. Of course, she worries that the dog was rabid, and that she, Shirley, might...and yes, her cheek grows thin and pale.
Louis notices that cheek, pries the facts out of her, and reassures her that the dog was most likely not mad, and then they begin to be friends and confidants. Actually, Louis was also Shirley's tutor in the past, and she finds an essay of hers that he saved in his portable desk alllll those years! (The reader is treated to this lengthy essay verbatim. I find it difficult to believe that even the most ardent admirers of Charlotte Bronte's work wouldn't be nodding off or in open revolt at this juncture.)
But wait! Robert's back from London! Uh-oh! Who's that Luddite with a gun? Is Caroline going to visit Robert's sickbed?
Written during and after Emily, Anne, and Branwell Bronte died, the portraits of the two main characters, Shirley and Caroline, are based on Emily and Anne, which gives the book an added dimmension of literary excitement. Bronte describes Shirley's personality in loving and meticulous detail, and it's almost as effective as seeing an author interviewed on Book Talk. The reader can see the personality behind a book like Wuthering Heights. I don't know for sure, but Louis is probably a cleaned-up version of Branwell. I'm basing that opinion on the fact that Branwell worked as a tutor, like the fictional Louis.
My problems with Shirley are:
1. Shirley shows up too late for a title character. And there's no foreshadowing or mention of her. She's dropped into the novel with an almost audible thud.
2. Louis shows up waaay too late as well, and you can see strain as Charlotte Bronte struggles against time to make the reader love him. Because of this rushed awkwardness, I could never really warm up to him; he was pushed towards the reader the way Shirley's suitors were pushed at her by her uncle.
3. Caroline gets too much "air time". She's lovely and good, but passive and boring. (I hope Charlotte Bronte wasn't exactly accurate with this portrayal; I'd hate to think Anne Bronte was that much of a snooze!)
4. The lapses into French were annoying, but that's more of a problem with my edition than a gripe with Bronte.
5. Bronte presents her readers with exciting social unrest then drops it for long periods of time in favor of watching Caroline's cheek and listening to her sighs.
I wonder if this novel is taught in women's literature classes. It would be great for students to study a heroine who's really got her shit together, instead of a heroine who is driven mad by yellow wallpaper or a heroine who is trying to decide to return to boring hubby or take a permanent dip in the ocean.
Regarding my Bronte challenge: Three more to go! Whoo!
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